Informed by contemporary art and cultural productions created in Guatemala, “This Might Be A Place For Hummingbirds” addresses colonialism and racism, violence and trauma, gender and identity. The focus is on questions concerning women’s rights, migration, social justice, environmental protection, and the ongoing consequences of colonial history.

“The Process of Becoming” exhibition challenges classical concepts of sculpture. It raises questions about where and how the working process begins and when it ends. Who and what is involved in the process and has an active influence on it?

The project brings the print studio into Körnerpark Gallery, making a space for independent print-based communities from Berlin and beyond.

Are You Satisfied? Contemporary Art and Revolution addresses the conditions and mechanisms of revolutionary action and its consequences from a contemporary perspective. The artists establish points of departure partly in historical events and current forms of protest, bringing state regulation, representations of power, and resistance into focus.

Photographer Nihad Nino Pušija has examined the everyday lives of former Yugoslavia’s Roma people, now scattered across Europe, for over twenty years.

The ANONYMOUS DRAWINGS 2018 exhibition features 600 drawings by 600 anonymous international artists presented with no mention of authorship or title and offered for sale at a symbolic price of €200. The identity of the artist is revealed only after the work is sold.

Social cohesion and solidarity seem more fragile than ever at the moment. Communities across the globe are being confronted with increasingly nationalist tendencies. Public perceptions of refugee crises and migration focus primarily on the challenges facing society.

The exhibition “Eine Enzyklopädie des Zarten” (An Encyclopaedia of the Delicate) is based on Anne Brannys’s dissertation of the same name. In it the artist sheds light on the concept of “delicate” or “tender” from different perspectives, interweaving questions from the humanities, the natural sciences, and art.

“Reframing Worlds” is an exhibition that brings together work by Berlin artists dealing with the lives and works of a diverse group of women including Gertrude Bell, Agatha Christie, Maria Mandessi Bell Diop, Mia May, Sayyida Salme Princess of Oman and Zanzibar alias Emily Ruete, and Ida Pfeiffer.

How can a ball flying through a film protrude from the actual screen? It is possible to defend ourselves physically against the dominance of the media?