Social cohesion and solidarity seem more fragile than ever at the moment. Communities across the globe are being confronted with increasingly nationalist tendencies. Public perceptions of refugee crises and migration focus primarily on the challenges facing society.

The exhibition “Eine Enzyklopädie des Zarten” (An Encyclopaedia of the Delicate) is based on Anne Brannys’s dissertation of the same name. In it the artist sheds light on the concept of “delicate” or “tender” from different perspectives, interweaving questions from the humanities, the natural sciences, and art.

“Reframing Worlds” is an exhibition that brings together work by Berlin artists dealing with the lives and works of a diverse group of women including Gertrude Bell, Agatha Christie, Maria Mandessi Bell Diop, Mia May, Sayyida Salme Princess of Oman and Zanzibar alias Emily Ruete, and Ida Pfeiffer.

How can a ball flying through a film protrude from the actual screen? It is possible to defend ourselves physically against the dominance of the media?

“Constructing the Earthquake” benutzt das Erdbeben als Metapher für unterschiedliche Formen gesellschaftlicher und emotionaler Erschütterungen. Angesichts der zunehmenden Globalisierung und den diffusen Gefühlen von Kontrollverlust und Unsicherheit fragen die Künstler:innen nach der Eigenverantwortung des Menschen für seinen Lebensraum und suchen nach Wegen, um mit den neuen Realitäten flexibler umzugehen.

Artistic processes are not far off from planting and taking care of a garden. Similar to tasks like digging, sowing, watering, fertilizing, and pruning, artists cultivate their work and observe closely as it takes on its own dynamic. Some things only develop in the right environment, with the right neighbors.

LINEAR MOMENTUM is an exhibition dealing with line in relation to our movement in urban and rural space.

In her new project for the Galerie im Körnerpark, Susanne Kriemann works conceptually with light – the energy that structures life through the rhythm of day and night.

“Blood, Sweat and Tears – Assembling Past and Future” transforms the Galerie im Körnerpark into a space for discussion and reflection on peace and conflict management. Its historical anchor is the first International Women’s Peace Congress at The Hague in 1915, during which the participants debated the sociopolitical, economic and intellectual prerequisites for a future lasting peace. Blood, Sweat and Tears sees itself as an artistic search for whatever ties together those committed to a peaceful world.

Digging Digging presents artistic positions that deal with transformations and deformations of landscapes as well as urban changes due to raw material extraction and utilization.