Exhibitions

Exhibitions > What’s on

  • Exhibition banner for
    27.06.–07.10.2026

    Weirder, Louder, Taller, Uglier

    For Weeds to Rewild

    Inspired in an intuitive and visceral way by weeds, Weirder, Louder, Taller, Uglier – Learning from Weeds / Von Unkraut lernen is a curatorial project composed of events that we call sprouts and exhibitions that unfold with different rhythms.

    • Kamal Aljafari
    • Nooshin Askari
    • Ella C Bernard
    • Xenia Bond
    • Zuzanna Czebatul
    • Martins Kohout
    • Ana María Millán
    • Anaïs Senli
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Exhibitions > Archive

  • 07.03.–17.06.2026

    Architecture of Hidden Activity

    The Physical Dimension of the Digital

    Architecture of Hidden Activity uses art to reveal the invisible processes that run in the background of our digital world. Installations, sculptures, videos and photographs translate complex systems such as data streams and server facilities into visual experiences. The exhibition invites visitors to reflect on and question the effects of these digital and hidden infrastructures.

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  • Logo for the “Up Close – Goldrausch 2025” exhibition, featuring pink text on a green background
    18.10.2025–25.02.2026

    Up Close – Goldrausch 2025

    The Goldrausch Künstlerinnenprojekt presents the works of this year’s fellows from the 35th edition of its renowned professional development and support program in a group exhibition.

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  • The back of a cabinet of curiosities
    28.06.–08.10.2025

    The Back Of The Treasure

    On the Epistemology of the Cabinet of Curiosities

    Nowadays, the cabinet of curiosities has become outdated and is no longer adequate for addressing the diversity and interconnectedness of contemporary art. It represented a quasi-cognitive state of the era, in which various objects were continuously accumulated from their initially chaotic state and organized into typologies.

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  • Reproduction of the work
    08.03.–11.06.2025

    Juan Pablo Macías – TIEMPO MUERTO

    The exhibition presents for the first time all previous issues of the journal TIEMPO MUERTO (Dead Time) with accompanying videos. TIEMPO MUERTO has been published by Juan Pablo Macías since 2012 and is dedicated to researching anarchist practice. In the context of art, it embodies a critique of representation and is central to his practice, which also extends to other grammars.

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