Exhibitions

Architecture of Hidden Activity uses art to reveal the invisible processes that run in the background of our digital world. Installations, sculptures, videos and photographs translate complex systems such as data streams and server facilities into visual experiences. The exhibition invites visitors to reflect on and question the effects of these digital and hidden infrastructures.

Inspired in an intuitive and visceral way by weeds, Louder, Taller, Uglier, Weirder – Learning from Weeds / Von Unkraut lernen is a curatorial project composed of events that we call sprouts and exhibitions that unfold with different rhythms.

The Goldrausch Künstlerinnenprojekt presents the works of this year’s fellows from the 35th edition of its renowned professional development and support program in a group exhibition.

Nowadays, the cabinet of curiosities has become outdated and is no longer adequate for addressing the diversity and interconnectedness of contemporary art. It represented a quasi-cognitive state of the era, in which various objects were continuously accumulated from their initially chaotic state and organized into typologies.

The exhibition presents for the first time all previous issues of the journal TIEMPO MUERTO (Dead Time) with accompanying videos. TIEMPO MUERTO has been published by Juan Pablo Macías since 2012 and is dedicated to researching anarchist practice. In the context of art, it embodies a critique of representation and is central to his practice, which also extends to other grammars.

Referencing a popular internet meme, the title refers to a binary worldview in which humans are set apart from their natural environment and its organisms, creating a simplified reality of human and non-human.

Neo-Baroque gardens like the Körnerpark were meant to illustrate human mastery over nature. The exhibition Unruly Splendour invites viewers to find beauty in chaos, disorder, and uniqueness, rather than focusing on symmetry, standardization, and normality.