Guided tour of the exhibition sometimes i hold onto the air with the curators Katharina von Hagenow, Uladzimir Hramovich, and Paulina Olszewska.
In her essay The Defense of Poetry in Times of Permanent Exile, she invokes poetry and art as a means of free thought and resistance against the bureaucratic language of states and dictatorial violence. At the exhibition, she will read from her poetry collection Trapezherz and talk about writing in exile.
Guided tour of the exhibition sometimes i hold onto the air with the curators Katharina von Hagenow, Uladzimir Hramovich, and Paulina Olszewska.
sometimes i hold onto the air is an exhibition in which young Belarusian artists in exile reflect on the protests that radically transformed their lives and the years that followed. Their art works deal with the repression in their home country and the fear of constant surveillance that is incessant even in exile.
During the installation of the exhibition sometimes i hold onto the air we open the doors for a look behind the scenes. The exhibition features works by Belarusian artists in exile. The curators will be present to give an insight into their work.
FALLING MONUMENTS? is an installation in public space that focuses on the polyphony of the discourse on historical monuments and invites visitors to form their own differentiated opinions.
During the installation of the exhibition sometimes i hold onto the air we open the doors for a look behind the scenes. The exhibition features works by Belarusian artists in exile. The curators will be present to give an insight into their work.
During the installation of the exhibition sometimes i hold onto the air we open the doors for a look behind the scenes. The exhibition features works by Belarusian artists in exile. The curators will be present to give an insight into their work.
FALLING MONUMENTS? is an installation in public space that focuses on the polyphony of the discourse on historical monuments and invites visitors to form their own differentiated opinions.
FALLING MONUMENTS? is an installation in public space that focuses on the polyphony of the discourse on historical monuments and invites visitors to form their own differentiated opinions.
