EVERY SINGLE THING THAT EXISTS IN THIS INFINITE UNIVERSE IS EITHER…
© Pitur Stan

EVERY SINGLE THING THAT EXISTS IN THIS INFINITE UNIVERSE IS EITHER…

In our daily hustle, we often overlook our reliance on the environment. Enclosed within the human-made places, we forget the bonds with the land. Since the agrarian revolutions, humanity has gradually gained a sense of dominance over the ecosystem, relegating the environment to mere background noise.
At the same time, our exploitative relationship with the land and its inhabitants has reached various thresholds of environmental resilience, resulting in unprecedented degradation. This exposes not only the fragility of ecosystems but also our own vulnerability.
In the midst of the unfolding eco-social crisis, many of us are thus looking into alternative modes of self-organisation that would recognise interconnectivity and interdependencies humans form with and within the global ecosystems, emphasising a perspective of care.
The exhibition forms a multi-layered narrative, offering the audience various points of entry into the realm of human and other-than-human interactions. It presents life as an entanglement of possibilities and unexpected perspectives. Through interdisciplinary dialogue, it reveals a multi-faceted reality of relations, moving beyond the dualistic divide

With the support of Stiftung Kunstfonds and Federal Government Commissioner for Culture and the Media.
With the support of the Adam Mickiewicz Institut

Curatorial assistance: Clara von Schwerin

Curated by Dr. Karolina Wlazło-Malinowska

Participating artists

View of the gallery space. In the foreground are two display cabinets in which everyday objects are placed with plants growing over them. Behind them is an installation that deals with the subject of bacteria An upside-down toilet seat with plants growing on it Gallery space without visitors. On the wall are two photographic prints depicting garbage and plants. In front of them are two display cases containing everyday objects on which plants are growing Installation with round-bulb laboratory glassware and disk rings mounted on a round base View of the gallery space. Works of art stand on pedestals of different heights and shapes. A work of art in the shape of a cotton cloth hangs vertically from the ceiling. The outline of a person is shown on the cloth A work of art in the shape of a cylinder with a square base stands on a pedestal. Behind it stand a man and a woman View of the gallery space without visitors. There are works of art and texts on the wall, including a picture depicting a small person in a light-colored robe. In front of it is a low pedestal on which two unrolled picture scrolls lie Detailed view of the artwork. Play figures stand on a surface in the shape of a hexagon structure A child stands in front of a low pedestal. Next to him is a high pedestal on which a work of art in the shape of a hand is placed Visitors at the exhibition opening in the gallery space. A woman stands in front of a rectangular pedestal and examines a work of art in the form of an unrolled scroll Detailed view of the artwork: A laboratory glass in the shape of a round bottom flask in a metal holder and connected with cables. Visitors stand in the background Bottom view of a laboratory glass in a metal holder Large screen showing the artist's video work. In front of it, an installation with moving objects on mirror foils on the floor Detailed view of the artwork. A moving object above a mirror foil on the floor Three women. The woman in the middle is the curator speaking into a microphone