Picture Credits

  • Magazine TIEMPO MUERTO (Dead Time) tied around a stick and attached to the wall for viewing
    © Nihad Nino Pušija
  • A double-page spread from the magazine TIEMPO MUERTO (Dead Time) shows a large text written by hand. The sheet of paper is attached to the wall with nails
    © Nihad Nino Pušija
  • Detail from a double-page spread from the magazine TIEMPO MUERTO (Dead Time). Close-up of a stitch-like text written by hand
    © Nihad Nino Pušija
  • A few copies of the magazine TIEMPO MUERTO (Dead Time) are lying on a bench for viewers to look at
    © Nihad Nino Pušija
  • Magazine TIEMPO MUERTO (Dead Time) tied around a stick and attached to the wall for viewing. A large part of the wall is depicted with a shadow in the form of an arched window
    © Nihad Nino Pušija
  • Two screens lying close to each other on the floor. The top screen shows a male face, the bottom screen shows sticks piled on top of each other
    © Nihad Nino Pušija
  • View of the gallery space. Several screens are spread out on the floor. Copies of the magazine TIEMPO MUERTO (Dead Time) are attached to the walls
    © Nihad Nino Pušija
  • View of the gallery space up to the reception. Screens are scattered on the floor. The magazine TIEMPO MUERTO (Dead Time) is displayed several times on the walls
    © Nihad Nino Pušija
  • Two people in the exhibition room. A woman is flipping through the magazine TIEMPO MUERTO (Dead Time), which is mounted on the wall for viewing. A man stands in front of an excerpt from the magazine, which is attached to the wall as a single sheet
    © Nihad Nino Pušija
  • Two men and a woman are looking at the magazine TIEMPO MUERTO (Dead Time), which is tied around a stick on the wall for viewing. Two of the people open the pages of the magazine
    © Nihad Nino Pušija
  • Exhibition room with screens on the floor. A woman is looking at two screens close together in front of her. In the background, a man is looking at a work on the wall
    © Nihad Nino Pušija
  • A man flips through the magazine TIEMPO MUERTO (Dead Time), which is mounted on the wall for viewing. He is pictured from behind
    © Nihad Nino Pušija
  • Gallery director Yolanda Kaddu-Mulindwa stands in an alcove with a window and speaks into a microphone. A man and two women are standing in front of her, all looking towards her
    © Nihad Nino Pušija
  • The back of a cabinet of curiosities
    © Jürgen Karpinski, Seemann Verlag
  • Gallery space with round arches. Works of art in the form of columnar sculptures. Further objects presented in showcases and on tables
    © Benjamin Renter
  • Monitor on the wall with video work. On the right edge of the picture a standing installation with a mask
    © Benjamin Renter
  • Two people examine the 3D print installation entitled “The Recursive Jeweler of Polygon Gems” by artist Esteban Azuela. The 3D print is based on the work “The Throne of the Grand Mogul” by Johann Melchior Dinglinger
    © Benjamin Renter
  • Tablet framed in a plate leaning against the wall and objects such as records and notebooks in a glass display case. Dahinter Rundbogenfenster mit Tapete beklebt
    © Benjamin Renter
  • Artworks in the form of glass columns on the floor
    © Benjamin Renter
  • Artworks in the form of ceramic columns in the foreground and a paper cut in the background on the wall, with a person standing between them
    © Benjamin Renter
  • Standing installation with mask, tablet with video work on the wall, exhibition visitors in between
    © Benjamin Renter
  • Three women standing in front of the introductory text on the wall. The gallery director stands next to the curator and speaks into the microphone
    © Benjamin Renter
  • Artist stands before the introductory text in the exhibition space and gives a short lecture
    © Benjamin Renter
  • Exhibition visitors in the gallery space
    © Benjamin Renter
  • Gallery space filled with visitors at the exhibition opening
    © Benjamin Renter
  • Exhibition visitors in front of and next to a world map redesigned by the artist. In front of it a display case with art objects
    © Benjamin Renter
  • Large scale oilpainting, depicting a nonbinary person in front of a volcanic landscape. The person has closely cropped hair, female breasts, and long strands of hair growing from their crotch that reach down to the floor. A snake is crawling across the floor at their feet.
    © Nihad Nino Pušija
  • Five ceramic tiles in earth tones placed on the floor. The ceramic tiles contain hollow forms of symbolic ornaments. In the background, there is a window and a small screen mounted on the side of the wall showing a video.
    © Nihad Nino Pušija
  • A strip of paper printed with many small photographs stretches from the ceiling to the floor of the gallery. A woman bends down to look at the photographs.
    © Nihad Nino Pušija
  • An arm and a hand, cast in concrete, protrude from a pile of rubble.
    © Nihad Nino Pušija
  • © Rimini Berlin
  • Logo for the “Up Close – Goldrausch 2025” exhibition, featuring pink text on a green background
    © Rimini Berlin
  • “Up Close - Goldrausch 2025” lettering in pink on a green background
    © Rimini Berlin
  • A group of women in the interior of Galerie im Körnerpark
    © Nihad Nino Pušija
  • View of the exhibition featuring two works that include screens, photographs, and elongated round plaster molds scattered on the floor and some screens.
    © Nihad Nino Pušija
  • Interior view of the gallery in Körnerpark with works from the exhibition “Up Close – Goldrausch 2025”
    © Nihad Nino Pušija
  • Interior of the Galerie im Körnerpark filled with people during the opening
    © VG Bild-Kunst, Bonn 2025, Foto: Nihad Nino Pušija
  • A group of people are gathered around a speaker holding a microphone
    © Nihad Nino Pušija
  • People are looking at the artists' catalogues.
    © Nihad Nino Pušija
  • Three People sitting on cushions on the floor in front of a videoinstallation
    © Nihad Nino Pušija
  • Exhibition view of a mixed media installation. In the center is a large window covered with colorful window film; to the right and left are metal brackets leaning against the wall, on which books, headphones, a video on a small screen, and a text are mounted.
    © Nihad Nino Pušija
  • artificial gut hung over a steel water basin
    © Nihad Nino Pušija
  • A number of slim brass plates on which conjugations of the German verb 'töten' (to kill) can be read.
    © VG Bild-Kunst, Bonn 2025, Foto: Nihad Nino Pušija
  • In front of a large window overlooking Körnerpark, neon green illuminated lettering reads “intuition frees imagination.”
    © Nihad Nino Pušija
  • Three overlapping circles in pastell colors painted on the wall. A mirror is installed in the overlapping area. The words “Here,” “care,” and “there” are written in mirror acrylic above the circles.
    © Nihad Nino Pušija
  • Nine drawings in ink and felt-tip pen are attached to a floor-length dark blue curtain.
    © Nihad Nino Pušija
  • A saddle encompassed by cottonfabric and rope, mounted on a metal stand, the Galerie im Körnerpark can be seen in the backgound
    © Nihad Nino Pušija
  • “Up Close - Goldrausch 2025” lettering in pink on a green background
    © Rimini Berlin